Tuesday, November 27, 2012
2012 Best ofs: First Volley
MOJO's Top Twenty:
20 Lee Fields & The Expressions – Faithful Man
19 Advance Base – A Shut-In’s Prayer
18 Orbital – Wonky
17 Mark Lanegan Band – Blues Funeral
16 Bobby Womack – The Bravest Man In The Universe
15 Cat Power – Sun
14 Hot Chip – In Our Heads
13 The xx – Coexist
12 Tame Impala – Lonerism
11 Scott Walker – Bish Bosch
10 Bob Dylan – Tempest
09 Julia Holter – Ekstasis
08 Dr. John – Locked Down
07 Django Django – Django Django
06 Black Keys – El Camino
05 Dexys Midnight Runners – One Day I’m Going To Soar
04 Leonard Cohen – Old Ideas
03 Bill Fay – Life Is People
02 Frank Ocean – Channel Orange
01 Jack White – Blunderbuss
/// /// ///
Paste Magazine's Top Fifty
50 Grimes – Visions
49 Kelly Hogan – I Like To Keep Myself In Pain
48 Lord Huron – Lonesome Dreams
47 Baroness – Yellow and Green
46 Damien Jurado – Maraqopa
45 Punch Brothers – Who’s Feeling Young Now?
44 Godspeed You! Black Emperor – Allelujah! Don’t Bend! Ascend!
43 Stars – The North
42 Bettye LaVette – Thankful N’ Thoughtful
41 Of Monsters And Men – My Head is an Animal
40 Todd Snider – Agnostic Hymns & Stoner Fables
39 Leonard Cohen – Old Ideas
38 Dr. John – Locked Down
37 Shovels & Rope – O Be Joyful
36 Cat Power – Sun
35 King Tuff – King Tuff
34 Cloud Nothings – Attack On Memory
33 Howler – America Give Up
32 Woods – Bend Beyond
31 The Avett Brothers – The Carpenter
30 David Byrne & St. Vincent – Love This Giant
29 Killer Mike – R.A.P Music
28 Divine Fits – A Thing Called Divine Fits
27 John K. Samson – Provincial
26 Bob Dylan – Tempest
25 Grizzly Bear – Shields
24 Justin Townes Earle – Nothing’s Gonna Change The Way You Feel About Me Now
23 Jens Lekman – I Know What Love Isn’t
22 Hospitality – Hospitality
21 The Lumineers – The Lumineers
20 The Mountain Goats – Transcendental Youth
19 Rufus Wainwright – Out Of The Game
18 Kendrick Lamar – good kid, m.A.A.d city
17 Andrew Bird – Break It Yourself
16 Tame Impala – Lonerism
15 Jack White – Blunderbuss
14 The Walkmen – Heaven
13 The Shins – Port Of Morrow
12 El-P – Cancer 4 Cure
11 The Men – Open Your Heart
10 First Aid Kit – The Lion’s Roar
09 Beach House – Bloom
08 Japandroids – Celebration Rock
07 Dirty Projectors – Swing Lo Magellan
06 Alabama Shakes – Boys & Girls
05 Sharon Van Etten – Tramp
04 Fiona Apple – The Idler Wheel …
03 Titus Andronicus – Local Business
02 Father John Misty – Fear Fun
01 Frank Ocean – Channel Orange
/// /// ///
NME's Top Fifty
50 Purity Ring – Shrines
49 Flying Lotus – Until The Quiet Comes
48 The 2 Bears – Be Strong
47 John Talabot – fIN
46 Bobby Womack – The Bravest Man In The Universe
45 Lana Del Rey – Born To Die
44 Kendrick Lamar – Good Kid, mAAd City
43 Ratking – Wiki93
42 Paul Weller – Sonik Kicks
41 Ty Segall – Twins
40 Polica – Give You The Ghost
39 Liars – WIXIW
38 TEED – Trouble
37 Enter Shikari – A Flash Flood Of Colour
36 The Vaccines - Come Of Age
35 Metz – Metz
34 Bat For Lashes – The Haunted Man
33 Hot Chip – In Our Heads
32 Graham Coxon – A+E
31 G.O.O.D. Music – Cruel Summer
30 Breton – Other People’s Problems
29 Mac DeMarco – 2
28 Spiritualized – Sweet Heart, Sweet Light
27 Jessie Ware – Devotion
26 Spector – Enjoy It While It Lasts
25 Ariel Pink – Mature Themes
24 Merchandise – Children Of Desire
23 Richard Hawley – Standing At The Sky’s Edge
22 Beach House – Bloom
21 Cat Power – Sun
20 Howler – America Give Up
19 Toy – Toy
18 Tribes – Baby
17 Grizzly Bear – Shields
16 Melody’s Echo Chamber – Melody’s Echo Chamber
15 Sharon Van Etten – Tramp
14 The xx – Coexist
13 DIIV – Oshin
12 David Byrne & St. Vincent – Love This Giant
11 Django Django – Django Django
10 Jack White – Blunderbuss
09 Jake Bugg – Jake Bugg
08 The Cribs – In The Belly Of The Brazen Bull
07 Pond – Beard Wives Denim
06 The Maccabees – Given To The Wild
05 Alt-J – An Awesome Wave
04 Crystal Castles – (iii)
03 Frank Ocean – Channel Orange
02 Grimes – Visions
01 Tame Impala – Lonerism
Thursday, November 22, 2012
Cousins on BreakThru Radio
Nova Scotia band Cousins recently stopped by the studio for an exclusive performance and interview! Find out more at cousinscousins.bandcamp.com.
00:00 BTR Live Studio
00:18 Road
04:54 Singing
07:54 Interview
21:23 Secret Weapon
24:14 Baby
27:26 Interview
37:08 Ocean
41:25 Finish
Cousins Music/Interview
Thursday, November 15, 2012
Watch: Yo La Tengo – “Before We Run”
via Under the Radar
As announced yesterday, on January 15 will see the release of Yo La Tengo’s newest masterpiece, Fade. Check out the video for Summer Sun-leaning track “Before We Run” below. It was directed by band member Georgia Hubley’s sister Emily Hubley.
(www.yolatengo.com)
Fade Out January 15 Via Matador
As announced yesterday, on January 15 will see the release of Yo La Tengo’s newest masterpiece, Fade. Check out the video for Summer Sun-leaning track “Before We Run” below. It was directed by band member Georgia Hubley’s sister Emily Hubley.
(www.yolatengo.com)
Thursday, November 08, 2012
Deerhoof on Breakup Song
AW: Deerhoof have been making music for 18 years now; does that amount of experience make releasing new albums easier, or is it harder to keep things ‘fresh’, as it were?
JD: I guess it feels exactly the same, which I suppose is hard. There are certain technical aspects that have gotten easier in terms of us recording ourselves, and I definitely feel like I’ve learnt a lot over the years, but ultimately the whole point of making an album is to confront yourself and do something that you don’t know how to do. So, it’s always hard, but good hard.
AW: How do you push yourself to be inventive?
JD: I don’t really push myself to be inventive, but I do try to stay on top of whatever my imagination is doing. Maybe that’s the same thing, I don’t know. I think the main thing I’ve realized is that you get better at this stuff by working at it, which is something I didn’t necessarily assume when I was younger. The more I work, the more comfortable I am working, and the less the time lag between getting an idea and executing it. I’m also slowly beginning to trust myself, something that feels very unnatural indeed.
AW: Your latest album is called Breakup Song, but it’s certainly not your classic R’n’B album of break-up ballads! Where did the name come from? Is this album, in a sense, a ‘break up’ from the very sonically dense sound on previous albums?
JD: It’s just a product of seeing a lot of breakups around us and some of us experiencing breakups of various kinds in our lives. I don’t feel like it’s musically really breaking from anything in particular. Rather, it’s just another step forward or sideways or whatever direction it is we’re going. We had musical goals with the album, but they weren’t about breaking with the past, necessarily.
AW: Does this album have a theme, per se?
JD: There’s a subtle subtext about our obsession as a band with semi trucks and the movie ‘Maximum Overdrive,’ but as I say, it’s quite subtle…
AW: Your drummer Greg Saunier said: “Pop has always marked the spot on the Deerhoof treasure map.” That surprised us at first, because pop isn’t a word we’ve heard used before to describe Deerhoof…
JD: Oh no, we’ve been referred to as pop for as long as I’ve been in the band, though it’s usually accompanied by a whole bunch of other descriptives (and usually a few four-letter words!)
AW: Do you think Breakup Song is a pop album? It feels more immediate than some of your previous records.
JD: I guess the thing that maybe is pop about the album is its sort of relentless feeling. It doesn’t give you a lot of time/space to process what’s happening. The whole idea was that it would be something that you could put on, strap on some waders and go dig a ditch in the back yard, and it would provide you with the energy to do so. I think the best of pop music can do that. It propels you to dig ditches!
AW: After ‘Deerhoof vs. Evil’ in 2011, you did a huge amount of collaboration; Congotronics Vs. Rockers, the gig with The Flaming Lips, Shuffle Culture. Does working with other artists bring different ideas to Deerhoof?
JD: Definitely. I think working with Congotronics in particular really taught me a lot as it was such a long-term, intense collaboration. I had never been in such a big group before, and so many language barriers and musical hurdles. It was truly one of the greatest experiences of my life, though there were times where it really drove me crazy. Shuffle Culture was great, simply because the vision for the concerts was so worked out, in advance, by Rich Jacobs (the Roots’ manager), and we simply had to execute his vision. So, it was very fun trying to play this role and be the band that he saw us as. It forces you to try and be good at something that you might not even be good at… Working with the Lips was amazing, though it’s not like we had lots of time working together. We had about 10 minutes at a soundcheck, and then we just blasted it. It was very, very fun! Holy God, is Steven’s guitar amp loud, though?! It’s the loudest amp I’ve ever stood in front of, with the possible exception of Keiji Haino’s.
AW: Lots of people try to define your sound, but it’s very difficult to pin down. How do you feel about people’s constant need to catagorise things?
JD: I mean, I understand it. I am happy that I don’t have to do that most of the time and I can just experience this stuff and analyse it in a more intuitive way. One interesting side note, though. I do notice that people don’t come up to us after our concerts and ask us what kind of music we play. I think if someone comes and sees us, the need to define what we’re doing goes away. They see it for what it is, and that’s it. I do think that the way most of us listen to music nowadays forces us to categorize things and compare them to the other 25 days of music we have on our computers.
AW: Can you sum up Deerhoof for Art Wednesday in 5 words?
JD: You try hard to feel.
AW: You’ve worked with a huge amount of other musicians over the years; who would be your dream collaboration?
JD: You know, I still have so much work that I want to do with the people I’ve already collaborated with. I’ve been playing with Deerhoof forever, and I feel like we’re just getting started together. I still really want to work with the Congotronics group again if we can, though that’s a very complicated group to get going. Hmmm, dream collaboration? I would love to work with Elizabeth Fraser someday! She’s a real hero of mine. Talk about a pipe dream.
AW: If for whatever reason you weren’t allowed to be a musician, what job do you think you’d pick instead?
JD: I would choose something that used my body more. I’m so sick of sitting in this ridiculous chair… bike messenger?
You can catch Deerhoof live with Buke & Gase on 3 December (Brudenell Social Club, Leeds) or the 4 Dec (The Garage, London). The band will also be playing The National curated ATP at Camber Sands on 7 Dec. For more info, visit their website [here]
Words by El Hunt.
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